a small answer to a large question
david a. boles - 2011 - Cold River Press
a small answer to a large question
Where we attack
the negro streets
Ginsburg roared
at dawn
spiraling
soul fest
of ego fed visions
Carl says
now
the whole thing
a farce
nonsensical
transmissions
of scriptures
torn
bloodied
virgin youth
wrought from
their grasp
all this
Carl says now
of Ginsburg
and negro streets
at dawn.
........
Rastaman picks up
where Jack & Neal
left off
absolute lovers
renaissance men
all
roaming and grooving
on hashish in
stolen cars
and rastafari
speaks
eloquently
of Ja love
roaming universe
with remains
of Jack
and Neal
buried none too
quietly
Ja love calls to them
out of nights
spent
with naked boys
and eager love
finds a home in
this era of
“post beat”
yes,
rastafari
with dreadlocks
and ganja
still
hold out
for a magical note
from Neal’s hammer
arcing in his pattern
of beat
to Jack’s oft times
erratic
prose
and Allen
giving up the ghost
of negro streets
wanders quietly
in the confines
of his Colorado
retreat
the message returned
from love
soured
with Gregory on a
tepid
summer night.
........
Visions of Milarepa
of Kabir
float lightly
on the air
of the hashish scarab
Richard Krech’s
almost forgotten
litany
of the after
beat
era
60’s
and Basho
silent
so many years
returns in our mind
(unconscious, mind you)
through the vessel
of zeitgeist
Burroughs did in
his wife
by an accident
with
tampered
visions of Mescalito
naked
in bed with boys
of Jack and Allen’s
dreams
he retreats
to his fortress
in San Fran
to his guns
and his penchant
for pederasty
tall, thin
gaunt from
the satoris found
in other lands
reminiscing
i suppose
of days lost to a
time
lost
and the irrecoverable
testimony of what
Naked Lunch
did to a generation
of post adolescents
lost
in the way of
love
perhaps not
devotion
too bad
for those experienced
in satori
soon the answer
appears
that transcendence
is illuminating
no doubt
but transient
as well
.......
1986
post beat?
neo beat?
illuminations from
hippies and free love
LSD and college
revolution
become misplaced to the
romanticism
neo-romanticism
of beat days
love for that which
rastafari now call
Ja
christian heretics
called
Father, Son &
Holy Ghost
primitive peoples
(some of them)
called it Gilgamesh
but the
Beats
the
romantics
of our own
longed for
satoris
called it by
no name at all
except
perhaps
Life
which seems
to sum it up
quite well
on Ginsburg’s
negro streets
at dawn.
- April 1986
Boles’ poem serenades long gone Beat figures. It was writ-
ten in 1986, long after the demise of the Beat era, but still
relative to the post-Beat generation. The years have
passed, but the poem has not lost anything in its visionary
appeal. When I read the poem, I thought of my friend, the
late Jack Micheline, and I pictured him reading it at a po-
etry reading. It’s a poem that works well on the written page,
but I feel it would be stronger still if read out loud.
I like clarity in poetry, so that a reader doesn’t have to
struggle with strained syntax or inventive grammar. Boles’
poem does not disappoint. This is the kind of book to read
over a cup of coffee and leaves you with the feeling you
are being given permission to enter the landscape he has
drawn.
Boles’ range is impressive, with a large capacity of genu-
ine feeling. There is no pretension here. The poem speaks
with an authentic vision, all to often lacking in today’s po-
etry world. The strength prevails throughout the poem as if
the reader was sitting across the table from the poet en-
gaged in a lively conversation.
a.d. winans / 03-17-2011
$5.95
Cold River Press - 11402 Francis Dr, Grass Valley, CA
Original PDF still available for printing - this version is large-type for phone reading.
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